Love & Relationships Anthology — Quotes

15 quotes with full 6-part analysis

1
STAGNATE

“A knell to mine ear; / Thy very name struck my heart”

AUDITORY IMAGERY / SEMANTIC FIELD OF DEATHREGULAR FORM AS EMOTIONAL CONTAINMENT

Lord Byron · When We Two Parted

2
STAGNATE

“And the sunlight clasps the earth / And the moonbeams kiss the sea: / What is al…”

RHETORICAL ARGUMENT / NATURAL IMAGERY AS EVIDENCELISTING / ACCUMULATION & RHETORICAL QUESTION

Percy Bysshe Shelley · Love's Philosophy

3
REGRESS

“I found / A thing to do, and all her hair / In one long yellow string I wound / …”

ENJAMBMENT & CASUAL REGISTER — NORMALISED VIOLENCEPATHETIC FALLACY & STRUCTURAL INVERSION

Robert Browning · Porphyria's Lover

4
PROGRESS

“I do not think of thee — I am too near thee.”

EXTENDED NATURAL METAPHOR — VINE AND TREETHE PETRARCHAN VOLTA — STRUCTURAL REVERSAL

Elizabeth Barrett Browning · Sonnet 29 – 'I think of thee!'

5
STAGNATE

“The smile on your mouth was the deadest thing / Alive enough to have strength to…”

OXYMORON / PARADOX — LIVING DEATHPATHETIC FALLACY — DRAINED LANDSCAPE

Thomas Hardy · Neutral Tones

6
STAGNATE

“Oh! my God! the down, / The soft young down of her”

DRAMATIC MONOLOGUE — UNRELIABLE NARRATIONANIMAL IMAGERY — THE BRIDE AS WILD CREATURE

Charlotte Mew · The Farmer's Bride

7
PROGRESS

“love is proved in the letting go.”

SIMILE — 'LIKE A SATELLITE WRENCHED FROM ITS ORBIT'EPIGRAMMATIC FINAL LINE

Cecil Day-Lewis · Walking Away

8
PROGRESS

“Is his life more real because he digs his garden?”

RHETORICAL QUESTION & SELF-INTERROGATIONJUXTAPOSITION — RURAL/URBAN, PHYSICAL/INTELLECTUAL

Maura Dooley · Letters from Yorkshire

9
PROGRESS

“I had not thought that it would be like this.”

PRECISE DOMESTIC DETAILALLEGORY — CROSSING THE STREAM

Charles Causley · Eden Rock

10
REGRESS

“But today / It is my father who keeps stumbling / Behind me, and will not go awa…”

STRUCTURAL REVERSAL / ROLE INVERSIONPRECISE AGRICULTURAL VOCABULARY

Seamus Heaney · Follower

11
PROGRESS

“Anchor. Kite.”

EXTENDED METAPHOR — MEASURING TAPE AS UMBILICAL CORDFORM — THE NEAR-SONNET

Simon Armitage · Mother, any distance

12
STAGNATE

“I'm not here yet. The thought of me doesn't occur / in the ballroom”

POSSESSIVE TONE / TITLE AS OWNERSHIPTIME MANIPULATION — RETROSPECTIVE IMAGINATION

Carol Ann Duffy · Before You Were Mine

13
PROGRESS

“they halved themselves in the water, / icebergs of white feather”

PATHETIC FALLACY & NATURAL SYMBOLISMSTRUCTURAL SHIFT — TERCETS TO COUPLET

Owen Sheers · Winter Swans

14
PROGRESS

“my bride / she effing at my mum / in all di colours of Punjabi”

CODE-SWITCHING / HYBRID LANGUAGEREFRAIN & SONG STRUCTURE

Daljit Nagra · Singh Song!

15
PROGRESS

“I discover / the point of his knee, dusty and cracked / as a dropped biscuit”

SUSTAINED EXTENDED METAPHOR — BODY AS MOUNTAINTACTILE IMAGERY — TOUCH AS KNOWLEDGE

Andrew Waterhouse · Climbing My Grandfather