Themes:Reason & ObsessionThe Divided SelfIsolationThe Cost of Genius
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Key Quote

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"It is my curse to see everything in terms of a problem"

Sherlock Holmes · Chapter 6

Focus: “curse

Holmes admits that his analytical mind is a 'curse' — acknowledging for a rare, unguarded moment that his intellectual gift isolates him from ordinary human experience and connection.

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Technique 1 — SELF-AWARENESS / TRAGIC REGISTER

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The word 'curse' invokes the tragic register — the language of fate, destiny, and inescapable suffering. A curse is not chosen but imposed; one cannot remove it through effort or will. By calling his analytical nature a 'curse,' Holmes frames his genius not as an achievement but a condition — something that happens TO him rather than something he does. This is a moment of rare vulnerability beneath the usual veneer of rational control.

The phrase 'everything in terms of a problem' reveals the totalising nature of Holmes's perspective: he cannot selectively apply his analytical mind. Beauty, love, friendship — all are reduced to 'problems' to be solved rather than experiences to be lived. The preposition 'in terms of' suggests translation: Holmes does not perceive the world directly but converts it into a different language (logical analysis), losing something essential in the translation.

Key Words

Tragic registerLanguage associated with fate, inescapable suffering, and inevitable doomTotalisingAll-encompassing; affecting every aspect of experience without exceptionVulnerabilityA moment of emotional openness that reveals hidden weakness
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RAD — REGRESS

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Holmes regresses by recognising his limitations without being able to change them. This self-awareness without capacity for change is the essence of tragic consciousness: Holmes sees his prison clearly but cannot escape it. His intellectual progression — ever-sharper analysis — simultaneously produces emotional regression — ever-deeper isolation.

Key Words

Tragic consciousnessThe painful awareness of unavoidable limitations or sufferingIsolationSeparation from human connection, whether chosen or imposed
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Technique 2 — PRONOUN SHIFT — 'MY' CURSE

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The possessive 'my curse' is crucial: Holmes does not say 'a curse' or 'the curse' but 'my curse' — claiming it as personal property. This personalisation makes the curse intimate and inescapable: it belongs to Holmes specifically, not to detectives in general. The pronoun 'my' also implies long familiarity — Holmes has lived with this curse, has accommodated it, has made it part of his identity. The curse is not an affliction he hopes to cure but a companion he has learned to endure.

The impersonal construction — 'It is my curse' — begins the sentence with 'It' rather than 'I,' creating emotional distance. Even in his most vulnerable confession, Holmes cannot say 'I am cursed' (which would admit personal suffering directly) but only 'It is my curse' (which presents the suffering as an external fact). The grammar performs the emotional avoidance it describes.

Key Words

PersonalisationMaking something specific and individual rather than generalEmotional avoidanceThe systematic deflection of genuine feeling through indirect expressionImpersonal constructionA grammatical structure that avoids naming the person affected
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Context (AO3)

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THE ROMANTIC GENIUS

The Romantic genius tradition — from Byron to Shelley to Poe — presented exceptional minds as inherently tormented: the price of seeing more clearly than others was suffering more deeply. Holmes inherits this tradition: his genius is inseparable from his alienation.

NEURODIVERSITY

Modern readers often identify in Holmes characteristics consistent with autism spectrum traits: intense focus on specific interests, difficulty with social conventions, preference for logic over emotion. The 'curse' he describes may be read as an early, pre-diagnostic description of a neurodiverse mind navigating a neurotypical world.

Key Words

Romantic geniusThe tradition linking exceptional ability with inevitable sufferingNeurodiverseHaving cognitive functioning that differs from the typical normAlienationEstrangement from others and from ordinary human experience
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WOW — HEIDEGGER'S ENFRAMING (Gestell)

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Martin Heidegger's concept of Enframing (*Gestell*) — the modern tendency to see everything as a resource to be exploited or a problem to be solved — perfectly captures Holmes's 'curse.' Heidegger argues that modern technology and scientific thinking enframe the world: we cannot see a river without thinking of hydroelectric power, or a forest without thinking of lumber. Holmes enframes everything as a 'problem': people become clues, emotions become data, relationships become cases. Heidegger warns that enframing is the 'supreme danger' (*höchste Gefahr*) because it prevents us from experiencing the world's mystery — its irreducibility to categories and solutions. Holmes's confession — 'it is my curse' — is a Heideggerian insight: he recognises that his way of seeing, though powerful, has closed off other ways of being. He sees the world clearly but cannot wonder at it. This is the price of total rationality: the world becomes legible but ceases to be meaningful.

Key Words

EnframingHeidegger's concept of seeing everything as a problem to be solved or resource to exploitIrreducibilityThe quality of being too complex to reduce to simple categoriesMysteryThat which exceeds rational explanation and demands wonder rather than analysis