Key Quote
“"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife"”
Narrator · Chapter 1, Opening Line
Focus: “universally acknowledged”
Austen's iconic opening line uses devastating irony to expose Regency society's obsession with marriage as economic transaction, establishing the novel's satirical tone.
Technique 1 — FREE INDIRECT DISCOURSE / IRONIC NARRATORIAL VOICE
Free indirect discourse: the narrator appears to state fact but actually ventriloquises society's mercenary (money-driven) assumptions. 'Universally acknowledged' is deeply ironic — what follows is not universal truth but narrow class-bound obsession. 'Must be in want' uses a modal verb of compulsion, as if wealthy men have no choice — satirising the transactional (exchange-based) marriage market.
The sentence's elegant authority disguises the absurdity of its content. Austen uses the form of a truism to deliver social critique — the reader is invited to accept it as wisdom before recognising its irony.
Key Words
RAD — STAGNATE
The opening reveals social stagnation: Regency society is trapped in cyclical patterns of wealth and marriage. The 'truth' is actually a social construct that the novel will systematically dismantle through Elizabeth's journey of self-knowledge.
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Technique 2 — EPIGRAMMATIC STRUCTURE
The epigrammatic (witty, concise) sentence structure mimics the aphorisms (wise sayings) of 18th-century essayists — inviting the reader to accept it as wisdom. Syntactic balance ('single man'/'good fortune'/'want of a wife') creates false authority — the elegant form disguises the absurdity of the content.
This establishes Austen's dual register: surface politeness concealing devastating social critique. The entire novel operates on this principle — what appears mannered and gentle is in fact a scalpel.
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Context (AO3)
REGENCY MARRIAGE MARKET
Women could not inherit property (entailment), enter professions, or maintain financial independence. Marriage was economic necessity, not romantic choice. The Bennet estate is entailed away to Mr Collins, making the daughters' marriages a matter of survival.
CLASS HIERARCHY
The landed gentry (Darcy: £10,000/year) and emerging trade wealth (Bingley's fortune from commerce) occupied distinct social tiers. Austen interrogates (critically examines) whether birth or character determines worth — a radical question in Regency England.
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WOW — AUSTEN AS SOCIAL ANATOMIST
Austen performs a literary autopsy on Regency society — the opening sentence is a scalpel disguised as a pleasantry. She anticipates Marx's analysis of the relationship between economic base and social superstructure: marriage is presented as the ideological (belief-system) machinery through which wealth is consolidated. The irony is double-edged: it mocks both fortune-hunting mothers AND the patriarchal system that makes such hunting necessary for survival. Feminist critic Mary Poovey argues Austen reveals how 'romantic love' is the acceptable face of economic coercion (using financial pressure to control behaviour).
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