Key Quote
“"Lady Catherine herself says that in point of true beauty, Miss de Bourgh is far superior to the handsomest of her sex"”
Lady Catherine (via Mr Collins) · Chapter 14
Focus: “Lady Catherine herself says”
Collins relays Lady Catherine's assessment of her own daughter's beauty — a self-serving judgment presented as objective fact. The absurdity of a mother declaring her sickly daughter the most beautiful woman alive reveals the delusions enabled by unchecked social power.
Technique 1 — UNRELIABLE TESTIMONY
The authority cited — 'Lady Catherine herself says' — is the person least qualified to give an objective assessment: the girl's own mother. Collins presents this biased source as though it were an independent authority, revealing his inability to distinguish between rank and truth. The phrase 'in point of true beauty' adds comic emphasis: Lady Catherine claims access to a higher, more authentic standard of beauty unavailable to ordinary people.
The superlative 'far superior to the handsomest of her sex' is an absurd hyperbole — Miss de Bourgh is described elsewhere as pale, thin, and sickly. The gap between Lady Catherine's claim and reality creates bathos (a comic fall from the elevated to the ridiculous). Austen lets the absurdity speak for itself — no narrator commentary is needed.
Key Words
RAD — STAGNATE
Lady Catherine's self-serving claims about her daughter reflect her own narcissism — she cannot distinguish between what she wants to be true and what is true. Miss de Bourgh's 'beauty' exists only in Lady Catherine's declarations. Austen shows how power creates its own reality: when no one dares contradict you, delusion becomes fact.
Key Words
Technique 2 — SATIRICAL VENTRILOQUISM
Collins does not express his own opinion about Miss de Bourgh — he ventriloquises (speaks through) Lady Catherine's words. He is a transmission device for aristocratic self-promotion. Austen satirises the entire chain of false authority: Lady Catherine makes a biased claim, Collins repeats it as fact, and the Bennets are expected to receive it as truth. The comedy lies in the system's transparency — everyone can see through it except Collins.
The word 'charming' (Collins's own addition) is generic praise that contrasts with the specificity of Lady Catherine's beauty claim. Collins has nothing original to say about Miss de Bourgh because he has never formed an independent thought about her. His admiration is entirely derivative (coming from someone else's opinion).
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Context (AO3)
MISS DE BOURGH & THE ARRANGED MATCH
Lady Catherine intended Miss de Bourgh to marry Darcy — uniting two great estates. Her promotion of her daughter's 'beauty' is part of this dynastic (relating to powerful family succession) strategy. The irony is that Darcy is attracted to Elizabeth's vitality and intelligence — exactly what Miss de Bourgh (pale, silent, docile) lacks.
APPEARANCE VS REALITY
This quote embodies the novel's central theme: the gap between appearance (Lady Catherine's declaration of beauty) and reality (Miss de Bourgh's sickly pallor). Austen consistently shows that the people who insist most loudly on their own superiority — Lady Catherine, Collins, Wickham — are the least reliable judges of worth.
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WOW — THE EMPEROR'S NEW CLOTHES (Andersen)
Hans Christian Andersen's fable describes how an entire court pretends to see clothes that don't exist because no one dares contradict the emperor. Lady Catherine's declaration of Miss de Bourgh's beauty functions identically: everyone in her circle — Collins, the servants, the tenants — agrees that Miss de Bourgh is beautiful because disagreeing with Lady Catherine is socially impossible. Austen shows that collective delusion (a false belief maintained by social pressure) is not just a fairy-tale device but a constant feature of hierarchical societies. Truth becomes whatever the most powerful person says it is — until someone like Elizabeth refuses to play along.
Key Words