Themes:Marriage & EconomicsFamily & ReputationGender & Female Agency
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Key Quote

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"If I can but see one of my daughters happily settled at Netherfield, and all the others equally well married, I shall have nothing to wish for"

Mrs Bennet · Chapter 3

Focus: “settled

Mrs Bennet's definition of maternal success — 'settled' means financially secured through marriage, revealing how the patriarchal system reduces women's life goals to a single transaction.

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Technique 1 — EUPHEMISM & SEMANTIC EVASION

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The word 'settled' is a euphemism (mild word for a harsh reality) — it avoids saying 'married off for money' while meaning exactly that. To be 'settled' implies finality: once a daughter is married, her story is over; she has reached her destination. The passive connotation (she is settled, not she settles) removes the daughter's agency from the equation entirely.

The escalating scope — from 'one of my daughters' to 'all the others equally well married' — reveals Mrs Bennet's insatiable (never satisfied) ambition. One successful match immediately generates the desire for five. The word 'equally' suggests she measures marriages comparatively, as though they are competing investments.

Key Words

EuphemismA mild or indirect word used in place of a blunt or harsh oneSemantic evasionUsing language that avoids directly naming an uncomfortable truthInsatiableImpossible to satisfy; always wanting more
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RAD — STAGNATE

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Mrs Bennet's ambition remains entirely external — she measures happiness through social arrangements rather than emotional fulfilment. The phrase 'nothing to wish for' reveals a woman whose entire sense of purpose depends on her children's marriages. She is not incapable of love, but her love is expressed exclusively through the economic grammar of the marriage market.

Key Words

ExternalComing from outside rather than from within; surface-levelEconomic grammarThe underlying rules and logic of financial exchange
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Technique 2 — CONDITIONAL MOOD / MATERNAL WISH

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The conditional structure — 'If I can but see..., I shall have nothing to wish for' — frames maternal happiness as contingent on her daughters' marriages. This is simultaneously touching and limiting: her love is genuine (she wants their happiness) but her definition of happiness is entirely prescribed (determined by social convention). The 'if/then' logic makes motherhood into a contractual arrangement with fate.

Austen uses Mrs Bennet's conditional wish to expose a painful irony: a mother whose entire identity depends on events she cannot control — her daughters' desirability to wealthy men. Her anxiety and vulgarity are symptoms of this structural powerlessness, not merely personal failings.

Key Words

ConditionalDependent on something else happening firstPrescribedDetermined in advance by rules or conventionsStructural powerlessnessLack of power caused by the system rather than personal weakness
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Context (AO3)

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MATERNAL DUTY IN REGENCY

A Regency mother's primary duty was the successful marriage of her daughters. Mrs Bennet's obsession reflects a society that measured maternal success through matchmaking — a mother who failed to marry off her daughters was considered negligent. Austen simultaneously satirises Mrs Bennet's methods and acknowledges the system that made them necessary.

NETHERFIELD AS SYMBOL

Netherfield Park represents genteel wealth and social elevation. Mrs Bennet doesn't care which daughter ends up there — the estate matters more than the match. This reveals how property and place functioned as markers of social value in Regency England.

Key Words

MatchmakingThe practice of arranging marriages between suitable partnersGenteel wealthInherited or landed money associated with refined social status
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WOW — PERFORMATIVITY (Butler)

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Judith Butler argues that gender is performative — not an innate quality but a set of repeated behaviours that create the appearance of a natural identity. Mrs Bennet's relentless matchmaking is a performance of Regency motherhood: she performs the role of 'anxious mother' so completely that it becomes her entire identity. Butler would argue there is no 'real' Mrs Bennet behind the performance — the performance IS the identity. Austen reveals this by showing that Mrs Bennet's behaviour is a compulsive repetition of social scripts rather than a free choice.

Key Words

PerformativeCreating reality through repeated actions rather than expressing a pre-existing truthCompulsive repetitionAn involuntary pattern of behaviour driven by underlying anxietySocial scriptAn expected pattern of behaviour dictated by social norms